Band Aid
Malmö, Sweden
1936
The life of a house musician, especially a jazz musician, is full of ups and downs. Sure, you’ve got a steady gig, but you’re always waiting for the one thing that’ll spell the end of it, be it a bad, long cold, a sprained wrist... or a bouncy redhead eager to join his first “real” band.
Emil Västerström, sole woodwind for the “Malmö Musikers” (OK, not the best name, but not the worst, either), house band for Andersen’s Joint (again, not the worst name Emil had seen), eyed the newbie chattering at their leader, the inimitable Sigrun Eide, uneasily as the rest of the gang got ready for the first set of the night. This was just the sort of thing Emil worried about, not that he’d admit that to anyone else. Five times now, Emil had been bounced from a promising gig after some hot new talent had shown up, and Emil would much rather that it didn’t happen again.
The twelve other times he’d been let go from a nice gig, Emil discounted, as those had been over silly little things like suspected (or not so suspected) arson. Emil was much more careful about that kind of thing now, and besides, that had been up in the Frozen North of Östersund, far enough away that it hadn’t followed--and wouldn’t follow--Emil here.
Lalli Hotakainen, their pit man, looked up as Emil walked over to give him a hand, then shrugged and dropped his eyes back to the marimba he was trying to shift. Lalli tended not to worry about these kind of things, preferring to focus on the problem at hand rather than one that was merely potential, and he tended not to talk very much in any case, but he could see that something about the newbie’s arrival was troubling his friend, so he began to consider ways of improving Emil’s mood (maybe a secret beach bonfire?) while they reorganized the pit.
Behind them, Lalli’s cousin Tuuri Hotakainen was readjusting her drum set. She’d been terribly tempted to try a few riffs out right as the boys were at the most delicate part of moving the vibraphone into place, but in the end, she hadn’t. It wasn’t easy to get Lalli mad at her, but when it happened, it was never good. Emil was safe enough, though, so she twitted him every now and again, usually about something he thought he was an expert on but knew nothing about.
Mikkel Madsen, the second brass player, moved into her field of view as he patiently arranged and rearranged the selection of horns in accordance with Sigrun’s ever-changing notions of what they’d be playing and when. You had to watch out for Mikkel, despite his serene appearance, or you’d fall victim to one of his near-legendary pranks.
“Guys!” Sigrun waved as she called to them, signing that they should get over where she was on the double. The gangly redhead stood by her side, grinning goofily.
When they were all there, Sigrun announced proudly, “Guys, this is our new bull fiddle player, Reynir. He’s new to town--came here all the way from some little sheep farm in Iceland! Everybody, introduce yourselves, and Mikkel, show him where to set up for tonight. This is gonna be great!”
Emil slowly released the breath he’d been holding. OK. Not a new woodwind.
Actually, Sigrun had been talking about trying to find a good bassist for some time, so this shouldn’t have been such a surprise. Leave it to Sigrun to clamp on to some guy fresh off the boat.
After a few preliminary tuning plucks, Reynir started out with a really magnificent bass riff, interrupting Emil’s thoughts. Well, well, well. It seemed the kid could play. With any luck, he could play with the group as well, but they’d find that out tonight.