OoOOOoo interesting theory! I too had forgotten that character - although there may have been others over the last 20+ years. Twent-oh years, holllleeee
Which bits do I like? *rubs hands together*
One of the most dependable update schedules I've ever seen! 3 pages a week sketched, inked, and (oh so) fully coloured. This team is a machine, and not a wonky jury-rigged one, either!
Speaking of colours, Cheyenne Wright is a marvel. Many of the colours are quite bright, but I feel this contributes to the comic's overall look.
I enjoy Phil Foglio's lively cartoony style. His grasp of human anatomy often suffers (particularly noses and lower legs) when he tries to fit stuff in, but I can live with that. Let's face it, 3 pages a week does not give you time to compare precisely where this character's elbow would fall in relation to that character's head with that angle.... On the contrary, half the time it gives an animated effect to a static drawing. Look at any still of Tex Avery's work and you'll see what I mean.
The team do outstanding diversity. There are a wide array of skin tones, ethnic features and body modifications (including those which in any other universe would be disabilities but here are considered assets). A squick: all of the women (and quite a few of the men) are very buxom, but I let it go.
The storyline: Uh, meandering, byzantine, on steroids, difficult to keep straight - yeah, storyline is not the right word, more like storymiasma. I just go along for the ride, really.
Characters and character design: GG is one of a few comics I follow where the 'main' characters are fine and all, but the vast array of secondary and marginal characters are the really fun bit. Although (as illustrated by the above convo dredging up one who hasn't been seen in years from our POV), it's tough to remember their deal when they pop up again.
On the other hand, for all the liberties Phil takes with their anatomy, he pays incredible attention to the details of their outifts and accessories, even when their page appearances are years apart.
Details! So many details! He really makes a rod for his own back sometimes, cramming multiple characters wearing detailed outfits into each panel. He seldom draws a character alone, there's almost always interaction going on, and the backgrounds are stuffed with details and in-jokes. No wonder the noses become just a suggestion, yeah yeah yeah Bang has a nose, we all know she has a nose lalalaa, but there's an Art Nouveau poster spoofing a hilarious perfume ad to draw in the shadows over there! (I hear Cheyenne is bald - would have to be after colouring that lot.)
All-time favourites: Krosp, Emperor of Cats - c'mon, with a title like that? A Napolean knock-off talking cat, what's not to like?
Mamma Gkika - a rare female jaeger, with an epic beehive hairdo and a similarly epic brain under it! (The other jaegers - meh, not my favourite but hey)
The Master of Paris' whole family.
I adore the interactions between Agatha, Zeetha and Violetta.